Author: Greg

Greg writes, teaches and sleeps. Sometimes he plays D&D.
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A tiny update

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So it has been a few days and I promised so here I am with an update. There is nothing new to report. We are still waiting for feedback on our Saber Rider script and The second batch of Skyscraper query letters is going out soon. We haven’t had any good news on that so far. I was turned down by a few agencies (the we are not looking right now) but Orlindo didn’t get any response from the production companies. Maybe they are still reading but I doubt it.

I don’t know how I’m supposed to feel about all this. On the hand hand I’m glad that we didn’t get a message telling us how bad our script is but it on the other hand it would be nice to get at least something. I know there are a lot of people trying to to what we do but I really believe that pur work is good enough to compete on a professional level. Maybe we really have to refocus on the short film and try to get attention.

One thing we’ll definitely do is enter the Blacklist again. We got some good feedback there and I think that Saber Rider will find an audience there. At some point we’ll have to contact WEP but I doubt that they are interested in in pursuing it right now (with us).

So that’s it for the moment. I have to get back to tweak a few lines of dialogue but let me share with you another contender on our list….

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Let’s try this news thing

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Here we go.

Seems like we have a winner…well not really but we’ll get there. “Saber Rider” is making the rounds and so far (the little) feedback we got has been quite good.There seems to be a small group of people who really like the idea of a “Saber Rider” screenplay and they are really impressed that somebody took time (and was stupid enough) to actually write it. Hopefully they’ll still think this after they read it.

We are still looking for more feedback so please head over to our “Saber Rider” page and read it. For the lazy ones I included a direct link to the screenplay.

In other news…no news. We still haven’t heard anything about “Skyscraper” but we hope that will change soon. We are confident that we have a good script there and we are certain that someone will notice.

If not…I guess we have to write another screenplay…maybe this one…

Juts kidding…maybe. 🙂

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Sorry, I did it again…

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Sorry, I did it again…I’ve neglected the blog but trust me, I was very busy.
As you all know, christmas time is not exactly the most productive time in the year but I managed to do some work. I completed the third draft of Saber Rider.
Orlindo gave me some great notes focusing on characters and dialogue and after a little back and forth we completed the new draft and we are quite happy with it. I know I should say stuff like that but it a great read. Somehow we just got the tone right, most of the jokes are funny and the pacing worked out great.

We are currently waiting for some feedback and the next step will probably be the online Blacklist. We know that a Saber Rider movie is a long shot even among long shots but we know we have a great writing sample and who knows what will come of it. if you want to read the current draft head over to whiteworms.com. We included a link in the project page. for Saber Rider.

You can even use the new subdomain: saberrider.whiteworms.com. You gotta love the internet. 🙂

So stay tuned and I hope 2014 started good for you.

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I’m still trying

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Ok, I’m still here and I’m really happy with myself. I’m still posting (more than a week after the relaunch) and apparently I have something to say as well. Ok, there’s the slight problem that I don’t have any readers but that’s a minor detail.

So, what is going on? Well, the new “Saber Rider” draft came along great. I managed to get some good changes in and I’m currently waiting on some feedback. I still need to check the typing and have a look at some of the dialogue but other than that, the draft is done.

After that I’ll focus on an idea for a new animated short and I hope to spend some time on the “Passion of the Geek”. The animated short is something we’ve been working on for quite some time and after a few setbacks we’re finally in a place where we think we have an idea we can work with. It’s strange how many good ideas just don’t work out the way you intend them to work out. You start with something you really like and you work on it as good as you can but somehow you just never get it to work.

So this is a short one. I’m binge watching West Wing but I want to leave you with something to get you into the right mood for the holidays.

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The Awesomeness of “THE CORE”

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I’ll let you in on a secret, it’s a big one…ready? Ok, here it is. I few years ago I found it, the most awesome bad movie ever. Forget “Tremors”, forget Ed Wood, don’t even mention that Asylum crap, the most awesome bad movie ever is Jon Amiel’s “The Core”. Let me explain why.

You know the story, it’s basically “Armageddon” in the other direction. Yes, that’s the whole plot of the movie. Earth is in danger, let’s fix it by going down to the core. Let’s build a vessel that can dig a tunnel to the core, let’s blow up some nukes to make the core spin again, let’s loose some people on the way to make it (mildly) exciting and (ok, this is not in Armageddon) let’s have this whole government conspiracy thing going, where the government is responsible for creating the problem by (and here it gets absolutely bonkers) building an earthquake machine. Yes, I’m not kidding, let this one think in nice and slow…the US government built an earthquake machine. Before you ask, no, Dr. Evil is not part of the plot.

So why is this movie so awesomely bad. Well, somehow nobody realized that the story is so completely bonkers and the played it totally straight. Nothing to indicate that they know what a turd they have, nothing. Everybody treats the material like Shakespeare. It is totally awesome. But before we delve deeper (see what I did here?) into the movie let’s have a look at the trailer.

Awesome, isn’t it? It’s not so much how totally silly it looks, it’s the fact that everybody plays it totally straight. They look really serious doing all that crap. It’s just beautifully bad.

What strikes me as odd, is the fact that we have a great cast but a premise straight from an Asylum movie paired with a decent budget. It’s hilarious too me that someone thought this would be good idea. I can see how they wanted to emulate other disaster movies but how can you fail to see that the premise, or (to be more exact) this premise paired with this execution is a perfect recipe for a disaster movie.

They could have gone another way. Picture it looking like an Ed Wood movie. Bad effects, wooden acting (even more than there is now) and bad (you don’t have to change too much here) dialogue. For additional points, let the composer go wild and let him use strange instruments from the fifties and maybe you could throw in a few German or Russian scientists and your set for an awesome experience. But I’m getting sidetracked, after all this post was about how awesome “The Core” is right now, in his state of “perpetual mindfuckness” (Is that even a word? I think it should be.)

So, what m I trying to say here? Well, get yourself a copy of “The Core” and enjoy it, preferably with some friends. I promise it’s worth it.

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How not to get an agent

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Yes, we are trying to get an agent but so far no luck yet. Not exactly a big surprise but who knows, maybe we get lucky. Taking a cue from all the other screenwriting blogs, this seems to be quite a popular topic so I thought I’ll give to a go. 

So, what did we do?

Basically we’re working on two things. Orlindo is contacting various producers and production companies while I’m looking into agents. I bought a reference book for British writers with a whole bunch of addresses for agencies in it. I browsed through the lists and compiled a list for interesting agencies that fit our criteria (basically: we accept submissions). We decided to start with Britisch agencies. We think that the competition is a bit smaller and we hope that it is easier to get a foot in and frankly, we’d both be perfectly happy to work in Britain. 

But as I said, so far no luck. I contacted 8 agencies so far and received 2 answers so far. Obviously both of them negative. That leaves 6. We haven’t heard anything back from any of the producers or production companies yet. 

We know that an animation screenplay is a hard sell but we really believe in the story and we’re convinced that it is a good writing sample. Once “Saber Rider” is complete we’ll try the same routine with that screenplay and then again with the one after that. There0s just the tiny issue of coming up with another idea again but since we fancy ourselves writers, that should be the least of our problems and judging from the vastly improved timeframe we had with “Saber Rider”, chances are that we have a new screenplay ready to go in about a year.

Stay tuned. 🙂

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Writing Saber Rider

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I promised, I’m really trying this time.

I’m still in the process of rewriting the “Saber Rider” script and I thought I could share some insights into that project.

It startet in July 2012 in San Diego during the Comic Con. We sat at the bar in Hilton Bayfront after a long day of nerdgasm….what could possibly go wrong?

The answer is nothing. Sitting there, thinking about the great day we just had and discussing the sci-fi movie we decided to write. We wanted to write a cool sci-fi movie. Nothing too fancy, no big mythology, just a cool story and some cool space fights. We had some interesting ideas and we tried to figure at the story when we caught ourselves referencing the same old TV show over and over again. 

A few drinks later we were ready to admit what we both knew what really wanted to do. So we scraped our generic sci-fi idea and started work on “Saber Rider and the Star Sheriffs”. 

We loved that show when we were kids and even though we know that it is a long shoot we tried to write the best possible movie version we could think of. We decided to take the story of the pilot episode and expanded the story and filled the plot holes. We got rid of some of the dated stuff in the story and toned down the western elements a little bit (you know, Lone Ranger and so…). We looked at some of the classics of the sci-fi space adventure genre and we decided that a “chase movie” is probably the best structure for it. We knew we had to change a few things but this structure allowed us to incorporate what we really loved about the show in a way that doesn’t feel outdated.

The first draft turned out quite well and I’m currently in the process of rewriting it. There are a few things I need to clear up and I have to work on something I like to call “information flow” – when does which character know what and why? It’s really important that this makes sense in the movie and I think it enriches the the story and the characters when a writer pays attention to this. I don’t want to go too much into details (spoilers and so) but by limiting the flow of information we managed to achieve some great reveals in the story and changed some of the character dynamics in an interesting ways.

I hope to complete my rewrite until the end of december.