I stopped numbering weeks, I’m back to numbering posts. 🙂
So, love was really busy but there’s light at the end of the tunnel and I started writing “Alaska” yesterday. Well, I typed “FADE IN:” and thought of some character names but I felt the excitement building. There’s still a lot of work to do and I’m already preparing for some heavy rewriting but I just felt that I needed to stop outlining and start writing. Hence this short post.
I need to get back to Alaska, I want to get at least another page done today maybe even two, remember, I need to get the #Momentum going. 🙂
I’m back and I’m not even pretend to be sorry because of my broken promise. I really wanted to blog last week but WWW (Whiteworms Work Week) was a success. We worked hard on some new projects and old projects and I think it’s fair to say, that I feel energised and motivated to hit the keyboard again. But what I liked most about last week wasn’t the actual writing it was the way to get there. We had some heated discussions and I think our new project is the better for it. I don’t want to spoil too much but I just finished a new draft of the new project’s first act and I have a pretty good feeling. It is so much better than it was a week ago. I now where the characters need to go, I have a pretty good idea about their journey all I need now are some interesting set pieces which force them to change and become better… I don’t want to spoil anything.
All I’m saying is, it’s not a sequel to “Skyscraper” but in a way it is. It’s set in a different part of world, a different time and everything is different but there’s a similarity in tone and theme to “Skyscraper” that seems to be the thing we/I aspire to when writing. If I write something I need to say something, it actually doesn’t matter that much whether or not the audience gets it, I just need the story to mean something to me and both “Skyscraper” and our new animated feature have something to say that is very personal.
In fact, the new project is probably one of the most personal things I ever attempted to write, but not in the sense of an actual story, more in an emotional way. It’s not that I lived through these events, it’s more that similar events and experiences made me think a certain way and this story is a way to share these ideas and feelings. I think it’s probably my version of Finding Nemo’s Andrew Stanton realisation that he was an overprotective father that led him to write Finding Nemo.
Finding Nemo‘s roots back to a 1992 visit to Six Flags Marine World and started Andrew thinking about the amazing possibilities of capturing an undersea world in computer animation. The film was inspired by a fleeting moment of realization in which Stanton observed that his overprotective fatherly instincts were preventing him from properly bonding with his son. It tells the tale of a young clown fish who is whisked from the ocean to a dentist-office aquarium and his father’s quest to bring his son back home safely. As with Stanton’s other writing efforts, Finding Nemo focused on character development and provided an emotional resonance and heart rarely seem in animation. – http://www.pixartalk.com
I’m not saying that my story is as good as Finding Nemo but I think the fact that I the idea had a similar way of coming into existence is probably a good sign. As I say before, writing is not just for entertainment, it’s also about ideas and communicating those ideas. Even blockbuster movies, actually especially blockbuster movies need something to connect them to an audience and it usually helps if the writer or the director or preferably everyone who works on the movie has a personal, emotional connection to the core theme or message of the story.
I actually think that’s what good writing is really about, finding that emotional center, and it actually doesn’t matter if everyone in the audience gets it. Maybe someone takes something different away from the movie, who am I to judge. I’m not going to explain to anyone what he or she should feel after reading or (hopefully) watching one of my stories. I’m going to share with you what it means to me but if it means something different to you, be my guest.
The 1st week of #Momentum is almost over and I’m happy to report, that even though I didn’t meet all my guidelines, I consider week one rather successful. I spent most of the week thinking about the follow-up to “Skyscraper” and I’m happy to report that I made some progress. I’m far from finished and I don’t have a story yet but I have a feeling about the characters and their journey. But let me tell you bit about how I approached this project.
Usually, I have a story I want to tell but this time I decided to force myself to approach the script from a character perspective. For the last couple weeks I had an idea about the kind of story I want to tell and what the theme, the message should be. So all I had to do is come up with characters who could experience this emotional journey I planed for them. I narrowed down the theme and suddenly I knew what characters I had to pick and how their journey looked like. It’s obviously not polished yet and there will be many things that will change but looking at the character breakdowns, I get a feeling for them and I think I want to get to know them better (which is really important when you decide to write 70 to 80 pages about someone).
Ok, so now that I have some ideas for the characters and a sense of what I want to say it’s time for my favourite part, research. Where do I set the story? Do I use animals or humans or both? What kind of animals, what kind of humans? What external forces play a role? etc.
I love this part, the possibilities are endless but as soon as you hit on the idea, it just clicks, and yesterday it did. I’m not going into details but I had an epiphany yesterday and I could feel how the pieces started to fit together. It’s a nice feeling and probably one that every writer cherishes. It doesn’t feel like work yet but It’s a huge leap forward. The only downside, now the real work starts.
Now I have to distill all my ideas and all possibilities into a treatment that Orlindo and I can (hopefully) develop into our new project. Ok, back to writing now, I never said these updates have to be long. 🙂
So, that was that.
I‘m fresh off the Festival and I think it‘s a bit too early to fully reflect on the last few days. But first things first, we didn‘t win. I‘m not too sad or surprised about that, we never really thought that we‘d have a real shot and it‘s definitely one of those „an honor to be nominated“ cases. Congratulations to Petterchens Mondfahrt.
I don‘t know yet what will come of this weekend but I have a good feeling about it. The nomination proved that the things we write are decent and we got some contacts and new people to send the screenplay to. I‘m cautiously optimistic that something might develop out of these new contacts. fingers crossed.
The festival itself was nice and if I get another chance I‘ll go back. I visited some FMX panels, some talks and one animated short presentation. I didn‘t attend any of the competition movies, I had my own one. 😉
All in all, I had a great time and… who knows.
I’ll do a longer write up once everything settles down and maybe I have more news to share then.
I have to admit, I’m getting nervous. I leave for the ITFS today. I have a 4 hour trainride ahead of me but I’m so excited that I don’t mind. Slowly, the fact that I’m attending a festival where I’ve been nominated for a prize, starts to really sink in. I’m not fully there yet, I’m quite sure that it will happen once I have my lanyard with my name on it that says filmmaker. I’ll post pictures. 🙂
I’m probably going to use my instagram account this weekend and the plan is to write a follow up on saturday on my way home. I don’t really know what to expect from the festival, I just know that I’m really excited.
I’m also looking forward to seeing Orlindo, my partner in crime (in the flesh), again. A long time ago we started this journey together, on somehow diverging paths but it’s fitting that we can experience this together and that “Skyscraper” is the screenplay that made it happen.
I obviously have no idea if and how this weekend will influence our careers and to some extend maybe even our lives, if at all, but I just can’t shake the feeling that it’s going to be a great weekend and because we worked hard and long for it, karma should reward us at least a little bit. A journey that started on April 7th 2007 and that had its ups and downs, lead us to this weekend and as I said, I have absolutely no idea what will haben but I know that we are going to have some serious fun this weekend.
Stay tuned. 🙂
Another bit of ITFS follow up.
Orlindo’s and my nomination is now official. We’re still waiting for a proper press release but our names appear in the official festival catalogue and although the possibility of it being a very elaborate practical joke still seem like a viable explanation… all signs point to it being a real thing. Yeah! Rejoice!
from the Official Festival Catalogue
We feel humbled to be included among these other nominees. Ron Segal is an accomplished author and his novel that the screenplay is based on, went straight on my to read list. Ali Samadi Ahadi and Arne Nolting are two prolific filmmakers with a long list of IMDB credits. Orlindo and I definitely feel like the underdog here but I actually prefer it this way. No matter what happens in Stuttgart, the fact that we were nominated is rewarding enough, especially with these fellow nominees.
We seem a bit like the odd one out, no producers attached, no grants awarded yet but I guess that’s why these writing competitions are so great, in the end it’s just what’s on the page. Sure, there’s the tiny possibility that only three screenplays were entered into the competition but I choose to ignore that thought.
So, I wish to congratulate my fellow nominees and I can’t wait to meet them in Stuttgart. It’s going to be a blast.
It’s been a couple of days since that awesome news and I had some time to process all of it and I want to share my thoughts. Let me start by saying that since the news of the nomination, there’s this warm and fuzzy feeling all over me. It feels awesome to have your work finally recognised by professionals but I also have to admit that part of me is still a bit in denial and tries to downplay all of it. To be honest, this is probably the closest I will ever come to achieving my childhood dream and I’m pretty sure that on the 27th of April in Stuttgart, once I fully realise where I am and what is happening that feeling will totally sink in. I will be in a room with industry professional and they will assume that I belong there because of something I wrote. I’m pretty sure, that that feeling will be great and probably a bit overwhelming.
I now know who the other nominees are and I’m sure that we’re not going to win, which is actually freeing. I’m just going to Stuttgart to have a good time and maybe talk to some movie people and who knows maybe one of them buys “Skyscraper” or has an interesting job offer. The other nominees are in production and have producers and funds attached to them so we’re definitely the underdog or the only one without a date for the big ball which technically makes us the most interesting girl at the dance.
A boy can dream and that’s definitely what I’ll try to do for the next couple of weeks. I’ll dream about achieving my dream and who knows, I’ve never been closer and I’m quite sure that the night will be a blast and even if nothing develops, not many people can claim that they came this close to achieving their childhood dream and I consider myself really lucky.
So yeah, this happened. Remember when I talked about how my motivation is slowly returning and that I felt confident that I could get #ProjectMomentum going again… Well, turns out that getting nominated for a screenplay award really helps in that department. Yes, you read that right, Skyscraper, written by my friend Orlindo and yours truly is nominated for the German Animation Screenplay Award at the ITFS 2018 in Stuttgart. There are two other nominees, I don’t know who they are but I’m sure I’ll find out soon.
The awards ceremony is set for April 27th and Orlindo and I will be attending. We’re obviously very excited but I’ll try to manage my expectations. I’m pretty sure that we won’t win but as long as we are able to have a few interesting conversations after the event and maybe, who knows…you never know but I don’t expect anything to happen. I’m going in open minded and I’ll try to have a good time. It’s probably the only awards ceremony for screenwriting I’ll ever attend as a nominee and I don’t want to spoil that experience by having too many expectations.
This I obviously a developing story so I’ll keep you updated but it’s important to me to use this chance to say thanks, I’m not going to name names, you know who you are, but I want to say thanks to everyone who either believed in me or challenged me. Skyscraper is a product of a lifetime of experiences and challenges and I couldn’t have done it without you. Thanks.
…I’m almost there. Things are looking good. I’m slowly getting into it. I’m doing some housekeeping on my computer, I’m reorganising my notes and I even started to write a few words. I don’t know why it takes me so long to ease into my process again but I guess it’s because I lost momentum and I need to get it back.
There’s this one problem with momentum though, you don’t have it until you have it. It’s basically an uphill battle to get it but once you have it, it’s pretty much flat or even downhill…in the good sense. It’s going to be a lot of work but I’m sure I can don it. I lined up a little project that should allow me to be creative without too much preparation and if things work out it should be creatively rewarding. I think a small thing like that might be the ideal way to get started again. I have some other projects and ideas but they all seem big and daunting and I just know that I need something small to get started….just give me a second.
Sorry, I’m late. I’ve been busy. I haven’t written that much, had to do work stuff but I hope I can manage to get some keyboard time in the next few month. I abandoned the idea for a novel. I still like the idea but I don’t know if it’s a good idea to focus on that part of my life again.
I’d rather do something fun and exciting so I’m probably going to focus on “The Eternal” and I’m also going to resurrect my Time-Travel TV show, for German TV this time.
There’s also an extensive rewrite of “Die Klientin” in the cards. Orlindo helped me pinpoint some problems but I don’t have solutions I like yet. I want to tell a specific story that I have to adjust for audiences and I need to find a way to make the movie and its characters compatible for german tv without sacrificing what interested me in the story. It’s complicated but I’m sure I’ll figure something out.
The “Saber Rider” rewrite is almost complete. I reworked the attack on the Alamo base and there might be some additional adjustments in the final battle but other than that, the rewrite is done and I’m quite happy with it.
No news from the guys from Spain. 🙁