I’m back and I’m not even pretend to be sorry because of my broken promise. I really wanted to blog last week but WWW (Whiteworms Work Week) was a success. We worked hard on some new projects and old projects and I think it’s fair to say, that I feel energised and motivated to hit the keyboard again. But what I liked most about last week wasn’t the actual writing it was the way to get there. We had some heated discussions and I think our new project is the better for it. I don’t want to spoil too much but I just finished a new draft of the new project’s first act and I have a pretty good feeling. It is so much better than it was a week ago. I now where the characters need to go, I have a pretty good idea about their journey all I need now are some interesting set pieces which force them to change and become better… I don’t want to spoil anything.
All I’m saying is, it’s not a sequel to “Skyscraper” but in a way it is. It’s set in a different part of world, a different time and everything is different but there’s a similarity in tone and theme to “Skyscraper” that seems to be the thing we/I aspire to when writing. If I write something I need to say something, it actually doesn’t matter that much whether or not the audience gets it, I just need the story to mean something to me and both “Skyscraper” and our new animated feature have something to say that is very personal.
In fact, the new project is probably one of the most personal things1 I ever attempted to write, but not in the sense of an actual story, more in an emotional way. It’s not that I lived through these events, it’s more that similar events and experiences made me think a certain way and this story is a way to share these ideas and feelings. I think it’s probably my version of Finding Nemo’s Andrew Stanton realisation that he was an overprotective father that led him to write Finding Nemo.
Finding Nemo‘s roots back to a 1992 visit to Six Flags Marine World and started Andrew thinking about the amazing possibilities of capturing an undersea world in computer animation. The film was inspired by a fleeting moment of realization in which Stanton observed that his overprotective fatherly instincts were preventing him from properly bonding with his son. It tells the tale of a young clown fish who is whisked from the ocean to a dentist-office aquarium and his father’s quest to bring his son back home safely. As with Stanton’s other writing efforts, Finding Nemo focused on character development and provided an emotional resonance and heart rarely seem in animation. – http://www.pixartalk.com
I’m not saying that my story is as good as Finding Nemo but I think the fact that I the idea had a similar way of coming into existence is probably a good sign. As I say before, writing is not just for entertainment, it’s also about ideas and communicating those ideas. Even blockbuster movies, actually especially blockbuster movies need something to connect them to an audience and it usually helps if the writer or the director or preferably everyone who works on the movie has a personal, emotional connection to the core theme or message of the story.
I actually think that’s what good writing is really about, finding that emotional center, and it actually doesn’t matter if everyone in the audience gets it. Maybe someone takes something different away from the movie, who am I to judge. I’m not going to explain to anyone what he or she should feel after reading or (hopefully) watching one of my stories. I’m going to share with you what it means to me but if it means something different to you, be my guest.
- Well, the most personal is it probably “The Passion of the Geek” but let’s not go there, it’s a silly place. ↩